{"id":324300,"date":"2015-08-20T09:38:34","date_gmt":"2015-08-20T13:38:34","guid":{"rendered":"http:\/\/frederickplaylist.com\/?p=324300"},"modified":"2015-08-20T09:38:34","modified_gmt":"2015-08-20T13:38:34","slug":"retroricole-barnes-mr-sunrise","status":"publish","type":"post","link":"https:\/\/fnpsites.net\/playlist\/2015\/08\/20\/retroricole-barnes-mr-sunrise\/","title":{"rendered":"Retro\/Ricole Barnes: ‘Mr. Sunrise’"},"content":{"rendered":"

\"Retro.jprg\"<\/a>\u201cYou\u2019re talking about coming out here and standing women on their heads. You\u2019re talking about being the dealer. Well, all through tradition, in order to be the dealer, you gotta hold the cards.\u201d<\/p>\n

It\u2019s an old professional wrestling promo \u2014 that\u2019s where that passage comes from. It eventually gives way to a soliloquy from Ric Flair, screaming about \u201cthe toughest guy in studio wrestling I\u2019ve ever seen in my life.\u201d The scene comes from a time when the production of pro wrestling was so small, you could hear individual shouts from fans watching on as these beefed-up super heroes spatted off taunts and challenges to their dancing partners. Call it cheesy if you want, but anyone who\u2019s even remotely a fan of the stuff can attest: It\u2019s a pretty great sequence.<\/p>\n

It also appears on Retro\/Ricole Barnes\u2019 latest LP, \u201cMr. Sunrise,\u201d during the outro of \u201cOut Here Causing Trouble,\u201d a menacing four-and-a-half minutes of aggressively dark hip-hop that\u2019s as confident as it is memorable. Even PassPort Sport\u2019s verse flows with antagonism and arrogance, resulting in a flow that vaguely echoes 1990s-era Chicago-scene speed and an attitude as crass as Juvenile in his dirtiest moments. It results in something you can\u2019t not listen to, if only to see how far these guys are willing to take it.<\/p>\n

Yet that\u2019s what makes both Retro\/Ricole (as an artist) and \u201cMr. Sunshine\u201d (as an album) an inspiring listen. The guy\u2019s flow is hungry like a man who needs the genre more than it needs him. The production recalls a time in hip-hop where simplicity could be affecting without a touch of gimmick or synthesizers. The tone is sometimes confrontational and almost always alive. And the attitude? It\u2019s so oversized that even if he\u2019s not selling a million records, you better be damn sure he believes he should be.<\/p>\n

That much is understood right from the jump. \u201cUp\u201d smashes you in the face no less than one second into it, accentuated by a funky processed keyboard line riff that gives the track a fun edge. Once he comes around to talking about beefin\u2019 with Kanye West and the backbeat drops away ever so slightly, it harkens back to the beginnings of rap music, complete with conga sounds and hand claps that were most prevalent back when the art was still fun and pure.<\/p>\n

\u201cSpooning\u201d keeps the groove\u2019s tempo up, even if it\u2019s slightly bogged down by a silly refrain about cuddling. In an era when rap music has been explicitly sexual, somewhat sexist and unforgivingly misogynistic, Retro\/Ricole earns himself a tiny number of points for saluting the snuggle, even if that soft heart hardens elsewhere. Like, for instance, on \u201cCamera Lenses,\u201d which is \u201cdedicated to all the girls that live in my lap.\u201d Maybe it\u2019s just a product of the times, but a hook centered around Facebook likes suggests both Retro and Ricole can do better.<\/p>\n

All is forgiven with a track like \u201c1-5 Live,\u201d however, where after dropping the fact (yet again) that numbers don\u2019t lie, Barnes seamlessly offers a nod to Jay-Z\u2019s 2001 classic kiss off, \u201cTakeover,\u201d in a manner that\u2019s surprising and welcome. On top of some hauntingly sparse production, it puts the MC\u2019s ability to switch flows on centerstage and that showcase serves him well. It\u2019s a marriage that has all the potential in the world to find a home in heaven.<\/p>\n

But as for where Retro\/Ricole resides now \u2026 well, that\u2019s actually the most praiseworthy aspect of these 11 tracks: He\u2019s not afraid to call Frederick home, even going as far as namedropping Fort Detrick in one instance. \u201cDown\u201d invites Cubs The Poet to offer up a poem, a cappella, and instead of being dismissed as corny, it comes off as a nice display of unity. \u201cMaryland 02\u201d takes Barnes back to the year he graduated high school on top of a thundering beat that warps in and out of psychedelia. And the snare drum that serves as connecting tissue between \u201cSpellCheck\u201d and the title track adds flare to his feeling as he declares, \u201cThe love of my city is unconditional.\u201d<\/p>\n

And with \u201cMr. Sunrise,\u201d there\u2019s no reason Retro\/Ricole Barnes\u2019 city shouldn\u2019t love him back. Swift wordplay. Adaptive flows. An original approach. Nods to hip-hop\u2019s history. This guy has everything anyone could ever ask of not just a rap artist, but a musical mind. Sure, he gets a little lazy sometimes with the girls and the hashtags and the consistent red-faced vocabulary, but at the core of all this is a true artist. A true artist who is ready to take the next step. A true artist who is devoted to his craft.<\/p>\n

He\u2019s got all the cards. Now do yourself a favor and listen as he deals.<\/p>\n

*** 3 STARS OUT OF 4 ***<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cYou\u2019re talking about coming out here and standing women on their heads. You\u2019re talking about being the dealer. Well, all through tradition, in order to be the dealer, you gotta…<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-324300","post","type-post","status-publish","format-standard","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/fnpsites.net\/playlist\/wp-json\/wp\/v2\/posts\/324300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fnpsites.net\/playlist\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fnpsites.net\/playlist\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fnpsites.net\/playlist\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fnpsites.net\/playlist\/wp-json\/wp\/v2\/comments?post=324300"}],"version-history":[{"count":0,"href":"https:\/\/fnpsites.net\/playlist\/wp-json\/wp\/v2\/posts\/324300\/revisions"}],"wp:attachment":[{"href":"https:\/\/fnpsites.net\/playlist\/wp-json\/wp\/v2\/media?parent=324300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fnpsites.net\/playlist\/wp-json\/wp\/v2\/categories?post=324300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fnpsites.net\/playlist\/wp-json\/wp\/v2\/tags?post=324300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}